Dekay's brown snake

Say hello to my little friend: or, contra myself on reference works and conviviality

Yesterday, out walking, I saw this little guy sunning himself on the sidewalk:

Dekay's brown snake

Apologies for the poor focus: I didn’t want to get too close until I was sure it wasn’t a copperhead. But I had to get sorta close, and even then I wasn’t sure of myself. The head was wrong, the pattern was wrong, it was quite small. But it might have been a baby.

So I pulled out my phone and opened one of the few apps that I would really miss if I switched back to a flip phone: Seek by iNaturalist. Point your camera at a living thing and it will tell you, given a reasonably good view, what species you are looking at. I got it when I was hiking out in the mountains a few years ago; it’s great for identifying wildflowers and trees in unfamiliar ecosystems. But it’s also great for figuring out what’s going on in the square mile I live in.

Earlier this year, having had my front yard ripped up to lay a new sewer line and finding myself on the cusp of summer, I tossed out a couple packets of mixed flower seed and figured whatever happened, happened. Now something is happening, but I don’t know what. I think I kept the seed packets, but where? And which flower is which? Sheepishly I pulled out my phone and resorted to using an app to tell me what I was growing myself. (Answer so far: Borage, two colors of garden balsam, pot marigolds, and some sort of blanket flower.)

Really, I ought to know this stuff. I ought to know all my local trees and flowers, and I ought to know my snakes. In fact I know an awful lot of them, but I’ve had to learn the hard way, by using field guides and websites, because nobody educated me properly when I was a kid. (That was in a different part of the country anyway, but nobody educated me properly there either.) I say this in all seriousness despite twenty years of formal schooling. Half the time I don’t know what’s going on under my nose, and I need an app to figure it out. My education was bullshit.

Reference works as tools, “convivial” or not

On Micro.Blog @jabel (Jeremy) has been writing about so-called “artificial intelligence” (SCAI for short, my abbreviation) through the lens of Ivan Illich’s Tools for Conviviality. It’s a matter worth taking seriously, and I always appreciate anybody reaching for Ivan Illich, even if I find his work equal parts useful and maddening. For economy, and because it has been awhile since I read Illich, I’ll borrow Jeremy’s quotes from Illich defining conviviality. In a convivial society there is “autonomous and creative intercourse among persons, and intercourse of persons with their environment. … [Conviviality is] individual freedom realized in personal interdependence.” Convivial tools therefore afford people “the freedom to make things among which they can live, to give shape to them according to their own tastes, and to put them to use in caring for and about others.”

By contrast, as Jeremy explains,

the failure of the industrial model of tools is rooted in a key error: namely, that we could make tools that work n behalf of humanity. That, in fact, we could replace human slaves with tool slaves. But we have found that when we replace human slaves with tool slaves, we become enslaved to the tools. Once tools grow beyond their natural scale, they begin shaping their users. The bounds of the possible become defined by the capabilities of the tools.

On one use of SCAI, Jeremy writes:

I think everyone would agree that old-fashioned encyclopedias are convivial tools, i.e., they facilitate autonomous human creativity; they can be picked up and put down at will; they make very few demands upon humans, etc. Search engines, as such, can also be convivial tools in that they are faster, digitized versions of encyclopedias. AI-assisted search might also be convivial in some ways.

The question of whether something like SCAI can be convivial is tempting, but I think it’s a mistake to address it head-on. Instead I want to respond to the first sentence in this paragraph, about “old-fashioned encyclopedias.” In part I want to do this because I am incapable of reading the phrase “I think we can all agree that” without instantly, unconsciously searching for a way to disagree. But in part it may be a useful way of nibbling up to the actual problem of SCAI.

Anarchy, technology, and community: Some thoughts on The Dawn of Everything

A year or so ago I read The Dawn of Everything: A New History of Humanity by David Graeber and David Wengrow. At the time I jotted down a few notes, and it has taken me this long, I’m afraid, to beat them into something like coherence. Hey, it’s about 40,000 years of human history: what’s another thirteen months?

I won’t attempt a summary or a proper review; for an overview of the work I recommend this review from Science News.

The authors observe, from archaeological and historical evidence, that humans long ago constituted their societies in a dazzling variety of ways, and indeed reconstituted themselves thoughtfully, deliberately, and relatively often, perhaps to ward off inequality or escape an authoritarian system. As my own study of history goes back only a few hundred years professionally and at most a thousand years in amateur terms, I’m not in a position to disagree with anyone’s meta-analysis of archaeological evidence. I do worry that it reads like a book heavily informed by, and perhaps at least partly driven by, present political concerns, but that doesn’t mean it’s necessarily wrong, only that I’m wary.

I do, however, want to dissent from the authors’ optimism—that is, their belief that if our ancestors thought creatively about politics and radically changed their situations, we ought to be able to do the same. We are limited, structurally, in ways our ancestors could not. They could pack up and leave a society they didn’t like: we can’t, for there are no longer any margins to speak of. They could play with agriculture for millennia without domesticating their crops and inducing mutual dependence, but that genie is out of the bottle now. I could go on.

Maybe the simplest objection is that what looks like a rapid change in deep history or the archaeological record may have seemed a terribly long time to those who lived through it. Reading about the sundry ways people have thoughtfully organized themselves in the past (and about how deliberately and thoughtfully they seem to have done so) gives me hope that, when this civilization falls and 99 percent of the people on the planet die, the remaining few will be able to come up with something better than Mad Max, indeed to lay a foundation for a far better future. But I’m not sure most people would consider that statement optimistic.

In any case, quibbling about hope and hopelessness is boring. So let’s talk about something else.

Sometimes a pair of chopsticks is just a pair of chopsticks

To have a meal with chopsticks is to engage in the immaterial world of relationships and ideas. People don’t use chopsticks in a restaurant to show their dexterity. Rather, it demonstrates one can navigate different cultural contexts, adapt to various social environments, and demonstrate a level of open mindedness. These are all fine purposes, but they have little to do with the pragmatic task of moving pieces of food from the plate to the mouth. And in many contexts, the temptation is to master chopsticks to fake sophistication. Seth Higgins, “On Lug Wrenches and Chopsticks, in Front Porch Republic

When I worked in an office, back in the early days of this century, I used to walk across the street to the grocery store on my lunch break to make a salad at the salad bar, which I took back to eat at my desk. I have always loved salad bars, maybe because when I was a kid they were the only chance I had to choose whatever I wanted to eat. Choice and abundance! Very American. Anyhow: I enjoyed my salad-bar lunches, but I found them difficult to eat. A fork is lousy at picking up raw carrots, no less so if they are grated — and more so if the fork is one of the plastic ones they give you at the store. Actually forks are pretty lousy at picking up raw vegetables, period. Radish? Cucumber? I felt like I was trying to kill Dracula. Have you ever tried eating raw spinach with a plastic fork? And let’s not even talk about those baby ears of corn.

Then I found, in my desk drawer, an unused pair of takeout chopsticks from a Chinese restaurant. And they worked. They worked really well. They picked up everything, from baby corn to the last little bits of shredded carrot. They worked so well that to this day I eat salad with chopsticks — at home, when nobody is watching — simply because they are more efficient than a fork.

Sometimes, to paraphrase something Freud may or may not ever have said, a pair of chopsticks is just a pair of chopsticks. And pretty much all the time, you’re better off choosing the right tool for the job instead of thinking of tools as symbols.

Biodiesel people vs. electric car people

The subject of biodiesel came up last week, and in explaining the concept to my daughter I remembered how much I’m drawn to it—as opposed to electric cars, which I instinctively distrust. That statement says as much about me as it does about the two technologies, so let me unpack it a little.

Here’s why I’m drawn to biodiesel:

1. Biodiesel piggybacks on existing technology. We already know how to build and maintain diesel engines.
2. At its best, biodiesel turns waste material—used vegetable oils—into fuel rather than requiring new production.
3. You can literally make biodiesel in your back yard. More practically, it can be made on a community scale.

Will biodiesel solve all the world’s problems? No. It is a small and partial solution to an enormous global problem, which though it cannot solve the whole, nevertheless—by virtue of being small!—empowers people to roll up their sleeves and get to work. Moreover, in principle, it creates no new problems that others will have to solve later, e.g. waste that will have to be cleaned up.

The electric car, by contrast, promises a total solution to that enormous global problem—but one that, by its very totality, disempowers people. The electric car…

using a spokeshave at the shaving horse

What we talk about when we talk about hand tools

using a spokeshave at the shaving horse

In the spring of 2021 I started writing, elsewhere, a series of think-pieces about technology in the woodshop, beginning with the question What is a hand tool, anyway?, continuing through the effects of tools and tool use on the worker and the world, and working towards, as I found, a sort of rubric for evaluating tools for wise and responsible use. As I mean to pick up this thread, I have moved the pieces here and am linking to them below, in the order written, and will link new pieces here as I write them. I am also tagging them with work and the worker, which opens a few more doors and will likely range a little further.

A couple of things to note. First, I mean this to be a practical discussion, not a purely philosophical one. Second, although my particular interest is woodworking, I believe the discussion and tentative conclusions are applicable far more widely. In fact, I think there’s real value, at this point in time, to come at the problem of technology use from a perspective other than that of the digital — i.e., other than that unique to this point in time. We’ll see if it bears fruit.

  1. What is a “hand tool,” anyway?
  2. Hand tools and “traditional woodworking”
  3. Tools and externalities

Hand tools and “traditional woodworking”

When I asked recently “What is a ‘hand tool,’ anyway?” I considered two fairly literal definitions of a hand tool: a tool held and operated with the hands, and a tool powered exclusively by the hands (or possibly by other body parts). Neither was really satisfying. Here’s another, more complicated idea that comes up in conversations about hand tools: the idea of “traditional woodworking.” Continuing my list, I could say that

3. A hand tool reflects traditional woodworking practice.

But what do I mean by traditional?

Here we go again.

The ecosystem of the workshop

As I have spent more time in the workshop the past couple of years I have been thinking more and more about what I do and why I do what I do — that is, work wood with what are commonly called “hand tools.” Certain tasks (like cutting dovetails) take all my concentration, some (ripping 8/4 stock for chair legs) take enough bodily energy that I can’t sustain a complicated conversation with myself, but others (sanding, carving spoons) leave good space for thought, and in that space I find myself asking questions that I am not always able to answer. Questions like: what is a “hand tool,” anyway?

I want to use this blog, in part, to explore those questions, if not necessarily to answer them to anybody’s satisfaction. Rather than starting with what seems like an easy one — what is a hand tool? — I’m going to start in media res, with something I was mulling yesterday: the interconnectedness of tools, materials, methods of work, and the broader economy and culture — what I think of as the “ecosystem” of the workshop. That means starting deep “in the weeds” of the craft and working my way out again. I’ll try to write in a way that gives non-specialists the gist of things without boring woodworkers. That’s a narrow target; forgive me if I don’t quite hit it in a blog post.

So, to begin, a bit of background.

notebook and pen

Technology and active listening

You can never tell how big or how serious a trend is just from reading it about it in the newspaper, so when Melissa Korn wrote recently in the Wall Street Journal that college professors are increasingly banning laptops from their classrooms, I had to ask, what kind of growth and what kind of absolute numbers are we talking about? Like, two percent? Three guys the reporter ran into at a bar? But I’m intrigued, and maybe even gladdened, if there’s any trend that direction at all, because the more I’ve considered the ways I read, write, listen, and take notes, the less optimistic I am about the role of computers in those activities.

For example: I’ve been researching a new novel that takes place in Pennsylvania during the Civil War, and so I’m reading and digging widely — about the war, Pennsylvania German culture and language, the locations where the action occurs, farming practices, and so on. Some of this gets pretty specific: How would you build a fence, from start to finish, relying on your Pennsylvania woodlot and hand tools? What would your mobility be like with an unrepaired ACL tear? I started out from old habit doing historical research using Zotero to take notes, but while traditional formal notetaking practice is great for academic citations and bibliographies, it’s cumbersome if you’re writing fiction and all you need is plausibility. And while the ability to keyword-search a two-year corpus of research is tremendously useful if you’re writing a dissertation or a monograph, most of what I find myself asking comes up as I’m writing and is used almost immediately. Not to mention that if I’m reading a book while I wait to pick up my daughter from dance class, I have to carry my laptop with me.

So a few weeks ago I switched to using a bound notebook, hand-numbering the pages, and indexing topics in the front. It’s simpler and more convenient. But it’s also improved my research in a couple of interesting ways. For one thing, when I’m writing (which I do on a laptop, for very different but equally practical reasons), I don’t have to switch to another app to check my notes; I can flip through my notebook on my desk. Why is that better? Because I don’t lose my place in what I’m writing, and I’m not tempted to, say, check my email. The notebook doesn’t shift my focus.

notebook and pen

I also find, as I’ve found in any number of other tasks, that the body plays a role in memory. I am often quicker recalling where in the notebook a bit of information was, and in fact where on the page it was, than I am in remembering what keyword I used to index it. Even better, I’m more likely now to find that I don’t have to refer to my notes at all, because the very act of writing something down — and I mean writing it by hand with a pen — helps commit it to memory in a way that typing it doesn’t. (Let alone cutting and pasting.)

What homeschool science looks like

This year I’m teaching my daughter physics, and though you might think it would be easy for a guy with a degree in physics to teach eighth-grade physics, it is not. It is undoubtedly easier than it would be if I didn’t have a degree in physics, but that’s not a high bar, you know? Much of physics beyond the most elementary observation is deeply mathematical; you need at least first-year algebra to make any sense of it, and at least a year of calculus to make a lot of sense. And to the extent that there are simple, practical, hands-on ways of exploring deep concepts, I didn’t learn them in college. So, for example, I did lots of fancy calculations of torque but never built a trebuchet, and I learned to analyze the role of a capacitor in a circuit but never built a Leyden jar. Teaching middle-school physics, then, has been an opportunity for me to fill in some rather distressing gaps in my own education, and to think about what I did learn in new ways.

To wit: In planning our unit on electricity and magnetism I stumbled across a book called Safe and Simple Electrical Experiments, by Rudolf F. Graf. Since it was published in 1960, “safe” assumes something slightly less than the helicopter parent’s standard of child care, and “simple” assumes a child whose brain has not been squeezed completely to mush by electronic devices: all the better! You have to think to do this stuff, and fiddle with things when they don’t work the first time, and there are delightful instructions on how you can give your friend an unpleasant but allegedly harmless shock. On the negative side, some of what were considered household objects in 1960, such as vinyl records, may not be as easily accessible in 2017. But there are nearly always substitutes if you hunt for them.

As our culminating project, we built a working telegraph. I will let Dear Daughter explain it herself. (Video after the jump.)